I actually was gonna make a point with visual aids about how Johnny Ringo acts cowardly in ‘Tombstone’. But silly me, I overlooked a MUCH more obvious choice: Ike Clanton.
Ike Clanton takes every chance he can get to PUSH the other side (the Earps, Holiday), but in the end, in the MOMENT (see…some moments have more importance than others…that’s why you have to live in them: you never know when a nothing moment will turn into a much more important moment), he runs away, leaving his younger brother Billy (who by all acounts fought valiantly) to die.
If you push, if you keep pushing, you better be ready for a push back. And that’s the moment of truth: Are you a coward, or aren’t you?
Of course, most people/times/occasions/etc that bluster collapse when their bluff is called. BUT…there is always the smallest chance that you’ll find someone who is NOT bluffing. And THAT (the odds) is the ONLY thing that keeps wannabes in business.
I guess the world needs ’em, huh?
Great odds they won’t call…but IF…IF they do, you better be better than Ringo vs. Holiday.
I still think that, as adapted movie warnings go, this is pretty d@mn good:
“If you ever X, I’ll make John Doe’s “SLOTH” look supremely merciful in comparison.”
Course, that’s just BS from me. But it makes a somewhat interesting reference.
FAIR USE: CRITICISM – Great clip from an underrated movie.
Manage to acquire some sort of business, make it really really suck, then have two friends come in during peak hours. Wait for any sort of complaint from any customer, and then…
(Friend One) :Speaking up as they stand, as if to corroborate the complaint, and saying the long insult by the Waldorf Salad guy altered as necessary, but clearly on the complainer’s side:
THEN, very quickly, friend two stands as if deeply offended, speaking up as the Major did in the Waldorf Salad episode of ‘Fawlty Towers’, and making his punchline be another crummy business that does what yours does but is even WORSE.
James Tiberius Kirk handled it very well, of course…but I think there’s another scenario response that ought to be tried. You’ll still LOSE, of course…but you lose in STYLE, baby.
*Kobayashi Maru Commander* “This is the Kobayashi Maru…we have struck a-”
*Cadet, Interrupting* “Yeah, I know. Look, here’s an idea ladies and germs – next time your navigations officer or whatever-spacial-dangers officer says ‘Captain…we appear to be headed toward some sort of mine’, DON’T say “Ehhh…keep going”.
*Kobayashi Maru Commander* “Steady on course, helmsman.”
*Helmsman* “Ummm…begging the Captain’s pardon, but this is the area that has contained a mine each of the past 237 times we’ve entered it. Maybe we should just hook a right, or something?”
The great thing about Norm’s act/performing style is that it will go completely unnoticed when he finally goes senile and starts just rambling incoherently, without timing or interest in whether people can understand or not.
I’m sick of calling his attitude “brave”. It’s just fcken smug-a$$ dull by this point. If a bit of good humor comes out now and again, credit the law of averages.
Grade For My Grade-Giving/Reviews: Sometimes they suck, but usually there’s SOME bit of interest in them, at least. And occasionally I pull some great inspiration from out of nowhere. That’s for you Mortone!
Louis C.K. – If you find a clip you haven’t seen, give it a watch. Never bad. His specials are probably his best (I haven’t seen EVERY C.K. bit) but there’s small bits of inspired tastelessness out there all over the place. That’s a Bingo!
You know the story, of course. So the question is “how well will they tell it?”
This particular version has impressive performances by the female lead and Ben Kingsley.
The other characters seem peripheral – not bad, but not really good…”capable”.
It’s a little bit too teen-angst/cliche for me at parts in the beginning, but overall this is a pretty good movie. Nowhere near the power of ‘Schindler’s List’, but something I think should at least be given a chance.
Builds somewhat slowly after the capture – shows the gradual loss of anything that even resembles humane treatment.
I’ve only watched two of them (One on suspense and ‘Inglourious Basterds’, the other on creepiness and ‘The Shining’) but from what I gather they’re well-made, well-researched, and interesting…the analysis is intelligent without being smug, sort of “I want to talk, right down to earth, in a language that everybody here, can easily understand”.
Recommendation: Watch the ‘Basterds’ one first. If you like it, give the ‘The Shining’ one a look-see, then maybe try some more if you’re impressed.