The Lost Works Of Anna Dalton – Part Ten

Her eyes would be closed the whole time, and her arm would move as smoothly and gently as the music washes over you.

As to what this song meant to her, the only hint would be the very faint smile in her eyes when she finally opened them; if you were watching very carefully…and even if you had no idea what it meant, you would know that it was completely without guile.

FAIR USE: CRITICISM – A brilliant ending to a very interesting movie.

The Lost Works Of Anna Dalton – Part Eight

Without the beginning and ending, of course.

Though the ending is still one of the most touching and genuine displays of devotion – to one very easily abandoned, and for nothing in return – I’ve ever seen.

That’s true friendship.

FAIR USE: CRITICISM – A short display of the best actor in a fairly cheezy movie.

The Lost Works Of Anna Dalton – Part Three

Without words, of course. If music can’t speak to you without words, you’re either dead or a zombie. But I digress…

Slight variations, adapting the piano into the violin playing, altering it to make it work but keeping the basic melody and structure.

FAIR USE: CRITICISM – A very moving song; a far superior remake of the original, in a good movie.