Much-ballyhooed as a triumph of the Human Spirit and a celebration of Reality, my only problem is this…why did they possibly think Jim Carrey was the “perfect” person for this role? Granted, he has his moments, and he tries…but that’s the point. He tries TOO HARD, like he always does. And for all the fanfare to the contrary, despite an impressive debut as a real, “serious” actor, his performance is flawed.
‘The Truman Show’, if you don’t know by now (I’m 13 years late with this, oh well) is the story of a man (Truman Burbank, played by Jim Carrey) whose life is entirely contained and controlled, without his knowledge. Sort of like the world’s biggest artificial bubble, except that Truman is the only one that doesn’t know it’s artificial. At a time when the world has grown tired of “special effects” (I doubt that) and seeks a real person they can identify with (I don’t doubt that), Truman plays, unbeknownst to him, an important role in the lives of millions of people. In his life, they see the safety, security, tranquility, and harmony that they wish so desperately for in their own lives. The problem is, such things come at a price, and Truman has to decide if willfull, blissful ignorance is better than sometimes-harsh reality.
In some ways this is a brilliant movie…Ed Harris is exceptional as Christof, the “Creator” (of a television show) and some of the lines are truly haunting/inspiring/scary. I like to think of this as a sort of Positive Transcendentalist’s response to ‘Brave New World’, ‘1984’, and countless other books/movies that portray the impossibility of happiness and safety existing hand-in-hand…in ‘Brave New World’, the only answer is escaping happiness for liberty, in ‘1984’ the only answer is escaping liberty for “happiness” (If you can call a zombie-like state “happy”). ‘The Truman Show’ offers another way out…a difficult road that may or may not be taken, that may or may not succeed, but is there. In that, it is a complete Triumph.
But the majestic sweep and power of the message is constantly lessened by the now-familiar histrionics of Carrey, who seems to think the script isn’t good enough as a drama and needs his own particular blend of humor, which has NOTHING to do with the movie, and which seems COMPLETELY out of character for a man in his situation. Over-acting is suited more to Carrey’s natural style (playful and “wacky”) than what you’d rationally expect from someone whose entire Life’s Reality is collapsing around him at an accelerating pace. When Carrey is subdued, it works perfectly. Then he slips into ‘Ace Ventura’ mode and gets a few laughs at the expense of destroying the logical character development that should be taking place. I don’t know about you, but if I found out that everything I knew was wrong, I wouldn’t feel “liberated” and start running around…I’d curl up into a ball and hide.
Carrey’s best work is when he is actually being SUBTLE, which he does with (considering his previous work) surprisingly good effect, and especially in his confrontation with Christof, when the music’s repeated swells echo the lost nature of his soul and his extreme inner conflict building to a (perhaps) logical conclusion.
Message: Given the choice of Alpha Plus placement in a brave new world, choose the Freedom of the Savage. There is hope for individuality, if the will is strong enough.
Couldn’t agree more.
Inspirational Quote: “Cue the Sun”
Grade: B
5/18/16: “He’ll turn back, he’ll be too afraid.”
…
“Give me some lightning.
Again.
Hit him again.”
…
“Capsize him.”
“He’s gonna drown and he doesn’t even care…”
“Do it.”
*headshake* “No.”
“Do it!”
…
…
*end*
The horror parts, the truly scary parts, happen long before this. This, actually, is an escape; one way or another. Grade: B+
FAIR USE: CRITICISM – In the clip, Carrey, Harris, and the music combine to signal a defining moment for Truman; an absolutely vital decision. It’s the best part of the movie, IMPO, and I find it moving every time.