Wishmaster (1997)

Extremely cheezy “terror” opening: “The Past”

Robert Englund with a horrid combover: “Present Day”

Then the “romantic tension” is announced via a rock song w/ the dialogue.

Features some really obvious extras movement.  That’s extras to the movie, moving in very obvious badly choreographed patterns.

And at one point you might get thirsty for some COKE.

First Wish: Screaming, shifting/growing little creature form, some COKE, and the female lead’s anguished face montage.

Oh, there’s an amazing no-crash insane driving sequence.  Apparently only swerving was in the budget.

Especially after a bit of Robert Englund and a VERY little Tony Todd.

There’s a killing spree near the end that wants to be ‘Hellraiser III’ but is more ‘Monty Python’s Sam Peckinpah’s Salad Days’.

If you wanna see the heroine vs. the djinn in a (boring) Wits N’ Wishes battle, that starts around the hour mark.

Inspirational Quote: “Yessss…the sh1t just…hit the fan, didn’t it?”

Grade: F

French And Saunders – Episode 2 (Roy Castle)

Skits and sketches.  1 was better.

Highlights:
size argument/askance looks
NCP car park!!! (them’s good people, man)
tasteful Saunders crotch shot
t1ts propaganda
Saunders’ night bra

Lowlights:
Bangles parody (Cuz it’s music and not very funny)
musical sketch intro/reprise/ending
pretty much everything after Saunders’ night bra

French And Saunders – Episode 1 (Alison Moyet)

Ok so I’m using resources (thank you, Wikipedia and maybe others) to put these in the correct order by date aired.

Both (Dawn) French and Saunders (Jennifer) have other projects, talent, and a pleasant appearance (Rowr).  Look ’em up if you want/need to.

Here they do skits and sketches together, as in all their episodes (I think).  Sometimes they’re more of a longer theme/parody.

Highlights:
seeing French and Saunders interact: it’s just cute
nice little Dawn-dismissive intro
Dawn’s sudden emergence
Dawn’s helping hands
Dawn’s improper update

Lowlights:
the music – I don’t care who it is, ever.  COMEDY, please.

Mental Illness, ANY Form: One of the last disabilities it’s societally “OK” to mock/stereotype/blame

“according to Army Secretary John McHugh, the soldier saw a psychologist last month and was given Ambien for a sleeping problem.” – HuffPost Crime citing ‘USA Today’

This is about the man who recently allegedly killed people at Fort Hood.

HOW, exactly, is that a “relevant fact”?

It’s like saying, IN MY OPINION: “…the soldier saw a psychologist last month and was given a drug millions of people use with absolutely no violent side effects”.

Where’s the story, huh???

Oh, right…I forgot…HOW could *I* forget…mental illness = violent fcken psycho.  RIGGHHHHT.

Much LATER it goes on to explain how he had, according to someone quoted “behavioral…and mental health issues and was being treated for that”.

AND, according to another quotee he showed: “no sign of any likely violence either to himself or others.”

So…if you take any meds for ANYTHING, or see a psychologist for ANYTHING…like MILLIONS of other Americans…that’s pertinent information if you allegedly commit mass murder?

Of course, what’s NOT news is that the other 24,999,999 people (note: guesstimate for making a point purposes) who have seen a psychologist and take Ambien DON’T allegedly commit mass murder.

Fcken Bullsh1t.

-Puppy >.< Yip!

We Are What We Are (2013)

So there come times when I ask myself why I watch these wretched movies that I watch, knowing I must hate them because they stink and really, who wants to read about D- after D- after F…and do *I* really want to WRITE about them so badly?

But then there’s the occasional ‘Lo’ or ‘The Devil’s Rock’ or ‘Wake Wood’…a little gem of a movie that I otherwise would have missed.

This, believe it or not, falls into that saving-grace category.

It’s about a family that practices cannibalism on a semi-regular basis.  And, since it’s made well, it’s therefore quite disturbing…and interesting.

Low-key and yet creepy at the beginning and slowly but steadily building up in both what the family does/is revealed as having done and in the suspicions of others.

The mood is appropriate, and the acting by a no-name cast is quite good.

There are a few hokey “action” parts near the end, but they don’t last long and eventually the action isn’t so hokey.

It’s bloody disgusting, but it’s not hokey.

EXTREMELY gory/disturbing near the end.

Pretty powerful, actually.

Just one question: shaking hands…so ‘Book of Eli’ was right??

Grade: B

Portal: No Escape (Dan Trachtenberg short film, 2011)

Intro: ’28 Days Later’ or more appropriately ‘Azure Bonds’ (Yeah, a BOOK!!!)  Interesting, both scene and score.

Really good FX.

No complaints until way-too-easy escape.

Great learning curve: Dimension Door gun mastered quickly.  Impressive and plausible (she strikes me as a quick learner).

GREAT touch near/at the end.

SPOILER ALERT:

Think ‘Truman Show’

Ending’s a bit sudden, but I’m NOT glad.  I wish there was more.

Grade: B+

4/6/14: In the midnight hour, I cried MORE MORE MORE.  Maybe the easy escape was allowed/semi-allowed/whatever.  Or if not, overlook it.  This is just fcken cool.  And it’s certainly worth five and a half minutes of your time.  Grade: A-

Dead Island: Riptide – No Retreat (Youtube short film, 2013)

Money on FX: well spent
Money on actors: Coulda used more
Money on script: ditto
Bathing suits: cute
The sort-of twist: not bad
Emotional moment: believable
Ending: predictable

Grade: D

4/5/14: I musta been in a SLIGHTLY bad mood.  And the male/female leads are decent.  Grade: D+

Gallowwalkers (2013)

Slightly interesting opening featuring the Spanish/American Inquisition.

It quickly devolves into a religious/western/zombie/post-apoc mishmash.

Then Snipes explains his motivation.

Then it’s a lot of boredom and pondering and dullness.

Exceptions: A couple of the action scenes have some interest value, and tell me that little boy/girl doesn’t look like Newt!

Grade: D-