Wherein John Carpenter does Michael De Luca’s best H.P. Lovecraft.
You know it’s a John Carpenter movie because, like fellow egomaniac George A. Romero (although with much less justification) he calls this movie, like most of his, ‘John Carpenter’s *Insert Name Of Film Here*’. Just a minor, trivial note; but since this is easily Carpenter’s best work since ‘The Thing’ it’s a good idea he made sure to lay claim to it, unlike some of his other “works of art”.
It doesn’t really matter who stars in this movie, they aren’t important…the performances are solid but there’s nothing to stand out either in a good way or a bad way. They do their jobs, nothing more nothing less.
The POINT is the mood, the story, the fragmentation, the eerie growing disquiet, the descent into either armageddon or insanity, depending on your viewpoint. And perhaps not even depending on your viewpoint, because what does it matter what YOU think? It’s not *knock knock* reality.
The plot is thin and disjointed and the script isn’t brilliant, but that doesn’t matter…in a story of insanity, coherence is self-defeating and any faults here can be overlooked by saying “Well, he did that on purpose because it’s about insanity”…did he? *Shrug* Who knows…who cares. Just go along for the ride…it’s creepy, cheezy at points, but mostly scary in an eerie, hopelessly free-falling sort of way. Reality isn’t what it used to be.
Inspirational Quote: “I can’t, he wrote me this way.”
Grade: B+
2012: Grade: B
5/26/13: Oh, P.S. – I changed my mind, kiss my a$$! Grade: B+
8/5/14: Sam Neill is actually quite good, as the only (then) star. Otherwise no change, although this is a very guilty pleasure at times, even for a very good movie – which it is. Grade: B+