Good acting/effects/costumes/design, bad ideas.
Grade: C-
Good acting/effects/costumes/design, bad ideas.
Grade: C-
Good idea, bad acting.
Grade: D
The intro car-driving sequence of ascent into soon-to-be Hell (complete with appropriate music) is scarier than every film on my “F List” combined. Why? Because Stanley Kubrick understood what a TRUE horror film was/is/should be/(will always be?)…random gore is unnecessary when there’s actually SOMETHING there.
The basics are plucked from Stephen King’s novel, but this is Kubrick’s film, not a “movie version of the book”. I much prefer Kubrick’s emphasis on terror/insanity than King’s more mundane “haunted house” and more silly animated evil hedge creatures. (If you haven’t read the book, don’t ask).
Nicholson is perfect in a scary sort of way, given his character. Noone else is “bad”, but he’s the STAR, which makes his slow descent that much more powerful.
Perhaps you have to be slightly twisted as well as brilliant to produce a brilliantly twisted film. If so, Kubrick fits the bill perfectly.
There are a few hokey moments, but they’re easily overlooked.
I’ve heard/read that Stephen King isn’t too fond of Kubrick’s version of this story. Frankly, I find this puzzling, as this film is brilliant, unlike movie versions of ‘Firestarter’, ‘Children of the Corn’, ‘Pet Sematary’, ‘Salem’s ‘Lot’, ‘The Running Man’…the list goes on. And on.
Fortunately, being disliked by Stephen King doesn’t hold quite the weight it used to…given his output of the past 15-odd years, that is.
I’m truly amazed that Richard Bachman would lower himself to the continued use of the pen name “Stephen King”, at this point.
Overall Result: A work of (demented) art.
Inspirational Quote: “It’s okay…he saw it on the television.”
Grade: A
Harrison Ford and Willem Dafoe are both excellent. No surprise.
This is a great movie up until the end, at which point it becomes predictable, hokey, and utterly disappointing, each in turn.
There’s really no point in even WATCHING the ending…just read the Wikipedia summary when things start to get dull. UNTIL then, watch the movie, because most of it is far from dull.
Inspirational Quote: “Your word is who you are.”
Grade: A-
4/19/15: Every time you (I) watch it, year after year, it becomes less and less a blockbuster: more dated, closer to being obsolete in some ways.
But the script and the acting of Harrison Ford, Willem Dafoe, James Earl Jones and others maintain the interest factor despite this.
IQ Again: “Your word is who you are.”
Grade: A-
One of the weirdest movies I’ve ever seen that doesn’t (totally) suck and which I believe I fully understand. In that way, it’s half a Terry Gilliam film.
Maybe I’m missing something, but it seems to me that, despite some certainly “interesting” moments, this is the sort of film that people who aren’t particularly intelligent think is clever and that they are really smart for knowing just how clever it is. Which it isn’t.
Grade: D
Airborne
Alice
Alien Hunter
The Amazing Johnathan: Wrong On Every Level
And Now For Something Completely Different
Angst
Antisocial
Are You Scared?
Area 407
Asylum
Atari: Game Over
Autumn
Awaken The Dead
Bachelor Party In The Bungalow Of The Damned
Bad Girls From Mars
Battle Royale
Beneath The Surface
Birdemic: Shock And Terror
Bloodlust Zombies
Bloody Birthday
Bong Of The Dead
Buck Wild
Burial Ground: The Nights Of Terror
Burying The Ex
The Butcher
Butcher Boys
Cabin Fever (2016)
Cabin Fever: Patient Zero
Cartoon Noir
Carver
Castle Freak
Children Of The Living Dead
A Christmas Horror Story
C.H.U.D.
City Of The Living Dead
Come Out And Play
Condemned
Contagion
Contracted: Phase II
Crucible Of Horror
Cube
Dante’s Inferno (2007)
Dante’s Inferno (2010)
Dark Town
Darkroom
The Dead
The Dead One
Dead Season
The Dead Undead
The Dead Want Women
Deadgirl
Deadtime Stories: Volume 1
Deadtime Stories: Volume 2
Deep Space
Demonic (aka Forest Of The Damned)
Devil In The Flesh
The Devil Inside
Devil’s Gravestone
Diary Of A Cannibal
Don’t Be Afraid Of The Dark
Dragonlance: Dragons Of Autumn Twilight
Dredd
Dylan Dog: Dead Of Night
Erik The Viking
The Evil Dead
Exit Humanity
Extinction (2011)
Extinction (2015)
The Fan
The Farm
Feeding Grounds
Flight Of The Living Dead: Outbreak On A Plane
Forest Of The Damned (aka Demonic)
Gangs Of The Dead
Graham Chapman: Anatomy Of A Liar
The Graves
Graveyard Shift
The Grudge
Hellbound: Hellraiser II
Helldriver
Hellraiser
Hidden
The Hole
The Horde
The Human Centipede
I Don’t Feel At Home In This World Anymore
Idiots And Angels
In Search Of Lovecraft
Infected
Infection
Invaders From Mars (1986)
Invasion
The Invasion
Isolation
Kill Katie Malone
Kill The Scream Queen
Lady Frankenstein
The Last Airbender
Last Kind Words
The Last Man On Earth
Masters Of Horror: Dance Of The Dead
Masters Of Horror: Imprint
Mulholland Drive
My Bloody Valentine
My Sucky Teen Romance
Nightmares In Red, White And Blue
Ninja Cheerleaders
Nude Nuns With Big Guns
Oasis Of The Zombies
Omnivores
Pandemic
Perkins’ 14
Planet Terror
Prince Of Darkness
Psycho (1998)
Ransom
Recycled Parts
Red Riding Hood
Redneck Zombies
Re-Kill
Resident Evil: Apocalypse
Resident Evil: Extinction
Return Of The Living Dead 4: Necropolis
Rise Of The Zombies
Rodentz
Room 237
Sacred Flesh
Samurai Cop
Scar
Scourge
Screamtime
Severed: Forest Of The Dead
Shrooms
Stalled
The Stepdaughter
Stripperland
Surf Nazis Must Die
Survival Of The Dead
1313: Cougar Cult
1313: Frankenqueen
Three… Extremes: Cut
Three… Extremes: Dumplings
The Tomb
Tomb Raider
The Tooth Fairy
Total Retribution
Triumph Of The Will
Tuvalu
Unrest
Vampegeddon
A Virgin Among The Living Dead
The Whisperer In Darkness
William Shatner’s Get A Life!
Wishmaster
The Woman
Would You Rather
X
Zombeavers
Zombi Holocaust
The Zombie Apocalypse
Zombie Ass: Toilet Of The Dead
Zombie High
Zombie Massacre
Zombie Nation
Zombie Night
Zombie Strippers!
Zombie Undead
Zombie Women Of Satan
Zombies Of Mass Destruction
Zombies Zombies Zombies
Zoombies
“Thanks for the (movie)””…or whatever you might call it…””And cut yourself a slice of throat.” – Curly Howard
1:42-1:46 – Enough Said.
4/23/16: FAIR USE: CRITICISM – I am using the Monty Python’s Flying Circus clip as a means of criticism, and to criticize IT: I love it. Much better than ‘Cats’. I’m going to watch it again and again.
4/23/16: Link updated, see above.
List Last Updated: 6/6/25
Norway’s attempt at the goriest, stupidest, goriest, stupidest, goriest, goriest, and goriest film ever. And it’s stupid. Personally, I’ll take ‘Dead Alive”s campy charm over this any day. Not since ‘The Evil Dead’ has so much fake blood been used for so little purpose.
Denne filmen suger.
Grade: F-
7/18/12: I suppose this could be used as a training video for how NOT to make a film, or as a very small first baby step toward the supreme ultimate goal of ‘Dead Alive’. Don’t really know WHY, but it could. Grade: D-
Twisted and disgusting sexually as well as (of course, it’s a sub-standard horror flick) violently, and essentially meaningless.
But the acting (at least I hope it’s acting) is better than in your average useless gorefest, and the heroine’s tenacity and resiliency are impressive.
For every decent horror flick I see (say, ‘Fido’, though that’s more a comedy) I have to sit through ten of these (or worse). Why do I do it? The answer, as with the First Citiwide Change Bank, is simple.
Volume.
Grade: D
The wanna-be-Ed-Norton-from-Fight-Club Likeness of the Long-Droning Sociopath.
OR
How to get all your friends into a horror film.
OR
A sign of the state of decline of available Netflix streaming movies.
Inspirational Quote: “I regret nothing!”
Grade: F
9/15/13: F List pruning. Plus, I’ve always had a nagging suspicion this was a low D-. Grade: D-
When it starts off extremely promising and then begins to let down slightly, I got that “Oh no not again” sinking feeling I’ve gotten so many times before with movies that have great “ideas” but after introducing them, fail to execute them in any really interesting fashion.
However, although nothing in the rest of the movie fully lives up to the intro set-up, it’s moderately entertaining throughout.
The 50’s/60’s conformist nostalgia angle is extremely well done, the movie is amusing if not really “funny”, and it pulls off the best understatedly twisted take on death (look for the magazine) this side of ‘Fallout’.
Inspirational Quote: “You crazy, wonderful zombie!”
Grade: B
Cliche and dull. It would be preferable (more time-consuming and just as boring, but more informative) to read a full-length CDC evaluation of potential pandemic risks and responses.
Nothing that isn’t shown somewhere else with slightly more excitement/flair…that is to say, any at all.
If you’re waiting for the ending to save it, well…it’s certainly a surprise.
Eric Idle character from MPFC on a film of similar interest level: “Go on, protest, do something about it, assault the manager, demand your money back.” (SATIRE…SATIRE…SATIRE…)
Grade: F
A thinking person’s horror film.
Containing actual ideas beyond gore and Shock-O-Rama, this fairly intelligent and comparatively brilliant entry by Takashi Miike makes one want to hum “One of these things is not like the others…” after watching the first two. Intriguing, it’s also by far the least bloody of the three films and by far the best.
Grade: C+
5/7/14: “Comparatively” is the key word. Grade: C
Even… Worse.
Grade: F-
Very… bad.
If you like disgusting, twisted nastiness with no added ingredients, up it to an A.
Grade: F
Admirable failure whose aspirations from writer/director Sean Penn can, in this case, best be summed up by Soundgarden frontman Chris Cornell – “Words you say, never seem to live up to the ones inside your head.”
Grade: C-
3/17/17: Grade Correction. Grade: D
It’s only Pulp Fiction-esque in that it’s really weird and it’s about crime.
It’s not told in anywhere near the same way, it’s not nearly as quirky and it’s much more based on actions than on symbolism and interestingly meaningless dialogue.
It’s also not laughably over-rated as a landmark of American cinema, which is appropriate.
I’d take this over Pulp. At least I don’t have to watch Travolta dancing again.
Grade: B+
6/3/12: Ok, I wouldn’t take it over Pulp. But Tarantino should be reviled for revitalizing Travolta’s career. He should have picked Andy Garcia…he shows here why he’s more worthy. Grade: B
7/14/18: The Great Grade Update. Grade: B-
Also featuring The Last Woman On Earth, The Last Dog On Earth, and the First and Last Bat-Bite-In-Panama-Preventing-Vampire-Infection-Theory On Earth.
If you want an ‘I Am Legend’ ripoff, ‘Night of the Living Dead’ is infinitely better.
Grade: F
One of the greatest films I’ve ever seen.
Acting, writing, and directing are all superb.
A truly moving work of art, if you are willing to accept that not all art is beautiful.
Inspirational Quote: “Your father was circumcised by my rabbi you prick!”
Grade: A+
Dull.
Dull.
Sad.
AHH!
Dull.
Hey, Gary Oldman.
Dull.
Sad.
REALLY Sad.
Dull.
Oh.
Fin.
Grade: F
Buddy Ackerman is over-played a bit.
Unless he really IS based on an actual human being, in which case it just seems (a bit) overplayed.
Either way, despite going just a LITTLE too far in the how-unlikeable-can-I-render-this-character department, Kevin Spacey does a brilliant and (a bit too, perhaps) convincing job of portraying a ruthless, merciless, cold-blooded and yet socially accepted psychopath…the kind that survives (even flourishes) because its weapon of choice is abuse, ridicule, and intimidation.
Frank Whaley (who?) is just as convincing as Guy, the prototypical good guy whose goodness becomes the focal point of the movie as it is tested repeatedly by Buddy’s blatant abuse until something has to give…and something does.
Saying more would sort of ruin it…worth a watch if you want to see how to appear menacing while discussing artificial sweeteners.
Inspirational Quote: “What do you REALLY want?”
Grade: A
One of the most breathtakingly beautiful sights I have ever seen (including reality), the visuals are truly stunning and beyond complaint. As I mentioned while watching it, “There could be no dialogue at all and I’d still want to watch the entire movie”.
Unfortunately, the visual display isn’t supported by dialogue that’s anything more than average, and the heavy-handedness of the rather obvious moral preaching (If you can’t spot the metaphors to reality, distant past and recent past, you need to read more American History) gets a bit tiresome after a while. Not that I don’t AGREE with it…but you don’t need to slam people over the head with the obvious parallels to reality.
Think of it sort of as a more ambitious but not as far-reaching sci-fi version of ‘Dances With Wolves’.
Grade: B
7/25/12: If you don’t mind obvious, this is as beautiful as it gets. Grade: B+
Good old Jack at his devilish best, as well as a very good supporting cast displaying a wide array of emotions very convincingly.
The movie is more comedic drama with a bit of intense tragedy thrown in, whereas the book (from what I understand) is much more dark and intellectual.
R.P. McMurphy is an a$$hole, but at least he’s a GENUINE one…and a genuine anything, of course, is very hard to find.
Perhaps slightly over-rated by those who hail it as a masterpiece of American cinema (usually in retrospect after having written middling reviews when it first came out), it nonetheless is a truly great film and a Puppy must-watch, if not own.
Inspirational Quote: “I’m a Godd@mn marvel of modern science”
Grade: A
It starts out surprisingly interesting before slowly descending into mediocrity and then quickly from there into downright absurdity. A horror movie isn’t supposed to be FUNNY.
Grade: D-
7/24/12: So, watch the first 20-25 minutes, then turn it off and IMAGINE. You couldn’t do much worse. Grade: D
I generally find westerns boring, not because of the setting but because they invariably are stupid, macho, and corny. I’ve found a few exceptions, most notably ‘Unforgiven’, so I thought I’d give this remake a shot, as it had the advantage of not featuring John Wayne, at least.
It’s not stupid, macho, or corny…but it is boring.
The problem is that the believable characters are unlikeable and the likeable characters are unbelievable. Jeff Bridges conveys about as much charm as Billy Bob Thornton in ‘Sling Blade’, but his character’s excuse (stupidity/alcoholism) isn’t near as valid as Thornton’s character (severe mental illness). And Thornton’s character at least has quirks…and interesting dialogue.
Vastly overrated.
Grade: D
And the award for Most Dumbass Pathetic White Trash Serial Killer goes to –
The big fat guy in this movie.
I’m not being desensitized to the atrocious, horrible things done in this movie and in “horror” films like it, I’m just amazed at how many of these works of horsesh1t actually make it to film…they’re all the same – Dull, Meaningless, Stupid, Gratuitous…I mean, when you make ‘Friday the 13th’ look inventive by comparison, that’s sad.
They say Truth is stranger than Fiction. In this case, it’s just as dull.
“Based On Actual Events”, so I guess there’s a big dumb fat guy in jail somewhere getting a royalty check from this.
Worthless tripe…everything ‘Land of the Dead’ is not and what ignorant morons would prefer it to be.
Grade: F-
It could use a bit more humor, as the few (refreshing) humorous moments make abundantly clear. It could also use better supporting actors outside the “main” ones. But the idea is ingenious, it’s well-written, well-made, Denzel Washington is great (as usual), Gary Oldman is delightfully weird (as usual), and Mila *bleepin* Kunis is the huge surprise…I didn’t expect much beyond (maybe) competence after seeing her accurately play a total ditz on ‘That 70’s Show’, but her character is intelligent, suitably emotional, and very believable.
To complain more, there are periods where it lags…but there are also some extremely interesting scenes and a few surpriiiiiiiiises.
Inspirational Quote: “Put that hand on me again you won’t get it back”
Evil IQ: “You don’t HAVE to understand…*I* understand…”
Grade: A-
8/30/14: It didn’t move me this time the way it has, but I think the above is still very accurate. And I wanted to quote one more time:
Inspirational Exchange:
“…I forgot to, live by what I learned from it.”
“Yeah, what’s that?”
“Just…do for others, more than you do for yourself. That’s what I got from it anyway.”
Grade: A-
As with most George Romero films, this is much better in conception than in reality.
The idea(s?) is smart and twisted enough, but too often it plods along and hammers home things that could better be delivered in a different way…after all, Insinuation really makes it happen.
Peter Stormare is a genuine weirdo, a la ‘8MM’, but most of the other characters are as featureless and bland as the lead is intended to be a symbol of…they should all be wearing masks.
Still, it has a certain style about it that makes it at least…well, mildly interesting.
Grade: C
How does a mere mortal go toe-to-toe with a Demon and have the outcome hanging in the balance until the very end? Ingenuity, patience, dedication, and a LOT of help from the Demon’s “Pride”.
Parts of it are fascinating and parts of it are hokey. Denzel Washington, as always, is brilliant.
Inspirational Quote: “You know why? Because cigarettes kill…”
Grade: B-
First, as brilliant a depiction of the simplicity, humility, and common decency of the Amish community as any documentary ever made on the subject.
Second, a completely forbidden and impossible love story made only that much more compelling by the inevitable tragic ending to it.
Third, a movie about a witness to murder and about police corruption.
In that order of importance and relevance.
Kelly McGillis glides easily from pure joy to sheer terror in the blink of an eye, as she is both totally fascinated with and totally repelled by Harrison Ford’s outsider and everything he represents.
It’s a bit of a disappointment that this was the best they could come up with to showcase the first two elements, as the third element is a bit dull and completely irrelevant to what anyone watching the movie is CARING about, assuming you’ve ever in your life wanted something you knew you couldn’t have.
Grade: A-
A brilliantly made cure for happiness and tranquility.
Really, it’s a great film…but it’s so remarkably dark and relentlessly hopeless that there’s no point in watching it unless you revel in those feelings…and I don’t.
Recommended to masochists and as a gift for people you don’t like very much.
Inspirational Quote: “Do you ever feel Evil?”
Grade: A-
5/27/12: I simply refuse to call this a “must-see”. Nyah! Grade: B+
7/19/12: In blatant disregard for your state of mind, in complete accordance with critical integrity…Oh, the Humanity… Grade: A-
The excellence of the supporting cast (Robert Duvall, William H. Macy, Tony Shalhoub, James Gandolfini, etc…) mostly overcomes the typically wooden performance of lead John Travolta.
Based on the 1996 book of the same name, this omits large portions of the actual events and takes some cinematic liberties. If you want to know the “real” story, read the book or the court case transcripts. If you’d prefer a less truthful but far more consistently engaging and interesting experience, watch the movie.
Duvall in particular is outstanding as Jerome Facher, and delivers some of the best lines of the film with an easy, calm, subtle brilliance.
Inspirational Quote: “I don’t run away from bullies”
Grade: B+
6/3/12: Too much excellence to be spoiled by Travolta’s inclusion. And he doesn’t suck. Grade: A-
It’s all the rage. Ha!
Actually it’s quite good. The script is very good, the direction is very good, and the acting is at least competent. Which, given everything else, is enough. Some of the visuals are stunning, in good and bad ways…in this film, the beautiful, peaceful, playful, and haunting exist intertwined with the grotesque, violent, vicious, and haunting.
I have no idea if it was intended, but I find symbolism in the fact that “Rage” inevitably destroys itself…the answer being no answer at all. As with anger, it can keep you alive only for so long, no matter how strong it is. Then you need something a bit more meaningful. That, or you burn out.
What elevates this above the vast majority of “horror” films is what almost always does – Humanity. The characters are portrayed as real, not absurd extremes of “Good” and “Evil”. They’re capable of horrible and wonderful things…sometimes they’re happy, sometimes they’re sad, sometimes they’re scared…you know, real.
Two of my favorite scenes are the ‘Dawn of the Dead’ shopping homage, which is decidedly pleasant and amusing, and a scene near the end involving the male lead, which is decidedly unpleasant, and shows that human beings don’t need an infection to be truly enraged.
Inspirational Music: Inevitable build near the end.
Grade: A-
6/24/12: Not as gruesome as ‘Land’, but better. Grade: A
A really bad movie useful for two things-
1) Showing that Clive Barker is no Stephen King
and…
2) Accurately illustrating how the leaders of Cults (Personality or otherwise) honestly feel about most of their “followers”.
Grade: D-
This one made me think. A lot.
Stripped down to the only parts that feel like they matter, this is a tender and touching story of pure, innocent friendship between two children who feel they have noone else. Those scenes between the two ARE the movie…everything else is irrelevant, like a comedic side-story thrown in for a few gratuitous laughs, merely to put space between one interesting scene and the next.
The problem is it’s not comedic. It’s disturbing, depressing, brutal, and merciless.
It’s terribly troubling…if the folklore vampire (here, or anywhere else) is so utterly Evil for killing human beings to survive, what does that say about human beings, since we are the only species that actively preys on itself for FUN? We hurt each other, even kill each other…out of greed, lust, jealousy, sometimes just pure sadism.
The very fact that I have morality makes me re-evaluate what I believe, and why, sometimes. When a horror film can raise legitimate moral questions that can’t be easily answered in black and white terms, that’s a rarity.
Something to think about. Or, more probably, not.
Grade: B
6/3/12: “Think think think, just think about it…” Grade: B+
6/24/12: This, I think, is “goth” in the purest, most unpretentious, morally ambiguous, and darkly beautifully spare way. Quite an achievement, really. Grade: A-
’28 Days Later’, cooked up in some lunatic’s basement. Only it took 3622 more days and it sucks.
I’ve been trying to find the next great “horror” film (If I haven’t seen it yet, it’s new to me) in the vein of ‘Land of the Dead’ or ‘Seven’…this ain’t it. It starts mediocre enough and then descends into one of the worst pieces of sincere(???) filmmaking I have ever seen, including MST3K.
I think an old (future) exchange said it best (regarding my search)…and I paraphrase:
“This is disgusting…this is absolutely, completely horrendous. I hate this. I HATE this!”
“Another?”
“Please!”
Grade: F-
4:21- Norm!
The only thing John Landis is a master of is bad camp.
Methinks the man has far too much common decency to create a fully depraved work, as evidenced by the not-entirely-depressing ending.
Grade: D-
Moral of the story: None.
Recommended highly to all VF members that list “Serial Killers” as one of their “likes”. You want to meet one? If you met Henry (Who is based on a real-life serial killer) and told him how “cool” you thought he was, he’d stare at you and then make you his next victim. Dumba$$es.
Shocking when it was released, disgusting and pointless (not to mention outdated by those that need even MORE blood and guts to make a horror film…see “Gore Film Afficionados – Analysis Of A Subculture”) today.
Grade: F
11/21/12: I suppose one could argue that the moral of the story is: Some people are beyond help/sympathy (see ‘Natural Born Killers’). Whether it’s their “fault” or not, it simply is so…therefore one must accept this and act accordingly. As Henry can have no “friends” (He’s a sociopath, he doesn’t view anyone as a “friend”…people are things to him) to attempt to be his friend in any way is foolish and self-destructive to one’s self and everyone and everything in one’s life. It’s like walking up to a scorpion with the best of intentions and then being surprised when you are stung.
All that being said, I still think this movie is a piece of sh1t. The one-dimensional acting of the lead is, I guess, “brilliant”…he’s playing a Sociopath, after all. Well done. So what? It’s still disgusting and pointless. If you want to know anything about Henry/sociopathy, read a book/article/anything on the condition.
The only reason to watch this is if your favorite scenes in ‘A Clockwork Orange’ were the rape and ultra-violence ones and you wish Kubrick had filtered out all that other “meaningful” cr@p.
Grade: F
5/3/14: By my own comparison (‘Natural Born Killers’), just because I don’t like a movie (and I don’t like this one) doesn’t mean it’s a complete failure. So for the lead’s “in-character” acting, this comes off my F list and hopefully falls further into obscurity. Grade: D-
Creepy.
A sort of European alteration of Stephen King’s ‘Pet Sematary’, with much less action and much more mood and ambience. A bit bloody, but there’s far more internal struggle than external. It’s a bit ragged in parts and strikes me as slightly amateurish, but there’s an undeniable morbid charm to it, if you like that sort of thing.
Worth seeing once and only once.
Grade: B-
7/14/18: The Great Grade Update. Grade: C+
Dear John:
Just saw your latest film.
In ‘In The Mouth of Madness’ the general incoherency of the plot was justifiable because the film itself was about insanity and you managed to get a few actual actors to appear in it.
In this one, the only true confusing “surprise” I’m left with at the end (or any time during) is why you haven’t retired by now.
Invoking H.P. Lovecraft grants one a certain license to be weird.
This film invokes a number of films, none of them very well.
P.S. – What’s the deal with your Kurt Russell fascination? Tim Burton has better taste in obsessions.
Grade: D-
Sigourney Weaver effortlessly carries the movie with the ease of someone completely in command of their character (Easier after three movies). With Joss Whedon in charge of the script, it features plenty of kitschy drama and dark humor, often served together. It’s also visually impressive if you can stand grotesque images, especially near the end. It does lag a bit in the middle, though, and the characters are more amusing cartoons than persons of interest.
And so it ends…
Grade: B-
The bleak, depressing, dull, demoralizing, and downright BAD sequel to ‘Aliens’ was directed by David Fincher, and shows why he got to direct stylish, nihilistic nonsense like ‘Fight Club’ but leaves me shocked that he was handed the reins for an actual great movie (‘Seven’).
Apparently the formula here is to eliminate the likeable characters from the previous film and then introduce no new ones, instead surrounding Ripley with thoroughly bland and one-dimensional you’ve-met-one-you’ve-met-em-all types, and you don’t really need to meet one.
It’s the feel-bad movie of the year!
Grade: F
5/30/12: The benefit of adding professionalism to an otherwise worthless movie. Grade: D-
4/25/16: Alien Cubed proves that sometimes more isn’t better. Grade: D-
6/3/16: Re: above comment, thank you RK.
Exceptionally well-made sequel, more in the vein of drama/action than the first film’s sci-fi/horror, and much better.
Paul Reiser is remarkably sleazy, Sigourney Weaver is remarkably resilient, Michael Biehn is remarkably likeable/competent, and Bill Paxton is the most remarkably whiny Marine ever.
Inspirational Quote: “Game Over, Man!”
Grade: A-
6/23/13: This is certainly as good as fellow 80’s drama/action alums ‘Lethal Weapon’ and ‘RoboCop’, and it’s more imaginative and better written. Grade: A
Clever and creepy for the first half, a bit dated and predictable for the second half.
Sci-Fi/Horror film most notable for three things:
1) Producing a great sequel
2) Being unduly worshipped
3) Inspiring the funniest scene from Mel Brooks’ parody ‘Spaceballs’
Grade: B-
The result of ‘Sphere’, ‘Outbreak’, and ‘Crimson Tide’ pissing off Anthony Fremont.
Send it to the cornfield, please, send it to the cornfield!
Grade: F
I don’t know what the most depressing aspect of watching this movie is.
The unhumorous attempts at slapstick humor?
Mickey Rooney, a former star, in a thoroughly embarrassing and dislikeable role?
The almost complete lack of James Cromwell?
The disturbing animal scenes that should never have gotten a “G”?
The tremendous letdown from the first movie?
The costumes, scenery, and music remain attractive and interesting…but apart from a few scenes that harken back well to the spirit of the original (most notably involving Babe and an attack dog), this is fairly dismal and depressing. Not exactly what you hope for in a “childrens” movie, unless you take your children to the cinema in order to traumatize them.
Inspirational Quote: “You must have a very thin grasp on reality. Unless, of course, you’re suicidal.”
Grade: C
Bruce Campbell’s perfectly deadpan portrayal of a stupid, macho, stupidly macho and utterly unappealing non-hero uttering some of the worst lines ever written for a major motion picture is worthy of an Academy Award. The rest is reminiscent of uncomfortable first-time LARPers.
Inspirational Quote: “Groovy”
Grade: C
Whereupon Sam Raimi discovers “Humor”, transforming a horrific horror movie into a tolerably mediocre horror/comedy B flick.
Grade: D+
The first in Sam Raimi’s ‘Evil Dead’ trilogy contains no sense of humor, a shapeless story, horrific acting, and not even enough gratuitous violence to make it relevant to people that revel in that sort of thing. An obsolete, horrific relic that should be preserved in an Anti-Museum.
Grade: F
6/24/12: Unnecessary quote removed. Carry on.
Tony Todd shows in a leading role why he’s a good supporting actor.
This remake of the original ‘Night’ is less cheezy but far less innovative. Not quite the redundancy of the shot-for-shot ‘Psycho’ remake, though. Worth a watch for Romero/Savini acolytes and zombie-film addicts, otherwise just watch the original.
Inspirational Alteration – The ending
Grade: C
6/24/12: I’ve seen a lot of zombie movies. Movie grading is subjective. Therefore… Grade: C+
7/14/18: The Great Grade Update. It’s actually decent and different enough to be worth a watch. Grade: B-
“Lone Star” Donald Sutherland adds another film to his over-possessive aliens resume, but his performance is the only highlight in an otherwise unintentionally cheezy B-list tour-de-weakness.
Try Sutherland in the far more interesting ‘Invasion of the Body Snatchers’.
Inspirational Quote: “One”
Grade: D
6/24/12: Sutherland gives it some undeserved class. Grade: D+
3/25/14: Initial review was overly harsh. If you buy into it, it’s not bad. Grade: C-
7/14/18: The Great Grade Update. Cheezy and enjoyable, like ‘Star Wars’, except not as good. Grade: C